Based in Bangkok, Sippapas Thienwiwat (b. 2006) is a Thai composer and digital artist whose work lies at the intersection of audiovisual live-coding, live electronics improvisation, and electroacoustic composition with multichannel sound diffusion. Working across fixed media and real-time performance, he treats technological systems—audio gear, feedback systems, analog and digital signal chains, and recontextualized electronic media—as compositional material shaped through reconstruction, recontextualization, and spatialization, often informed by historical awareness of electronic music practices and listening cultures. Under the moniker SKYKYS, he extends this approach into immersive audiovisual live coding performances that combine algorithmic processes, sound diffusion, and multichannel environments.
Sippapas has performed and collaborated with institutions and venues around the world, including BEAST FEaST 2025, SyReN SYNTHposium 2025, Asia-Pacific Improvisers Symposium 2025, University of North Texas CEMI (with Just the TRS! Electronics Sextet), MUSLAB 2025 International Electroacoustic Music Festival, Sonorities Festival Belfast 2026, SEAMUS Conference 2026 (University of Texas, San Antonio), Eastman School of Music (with EMuSE, OSSIA New Music and BEAST), Hybrid Music Lab 2025 (Most Wanted: Music Berlin), SomaRumor: IV Encontro Latino-americano de Arte Sonora (Rádio Soma), Current Plans Hong Kong (with Sonic Officer), Thailand International Composition Festival 2025-2026, Princess Galyani Vadhana International Music Festival 2024-2025, Princess Galyani Vadhana International Symposium 2024-2025 (with Triphens Ensemble and BEAST, respectively), IntAct Festival 2024-2025, and Bangkok Kunsthalle evals. Past local performance locations include One Bangkok, EmSphere, Goethe-Institut Thailand, Bangkok Kunsthalle, BLAQLYTE Rover, Studio Lam, Tentacles Workshop, and SYNAP home/lab.
Sippapas is currently pursuing a Bachelor of Arts and Sciences in Creative Arts and Technology at the Institute of Music, Science, and Engineering, KMITL, where he also conducts practice-based research in electroacoustic music and listening practices under Dr Matthias Jung. In parallel with his academic studies, he is currently studying sonic arts and digital art under the private tutelage of Thanapat Ogaslert, with previous studies in music composition conducted under Dr Tyler Capp. He is also a performing audiovisual livecoding artist and a diffusion artist of Cornea Cochlear Club, a collective focused on audiovisual livecoding music co-founded by his mentor.
Sippapas is the President, Co-Founder, and Diffusion Artist-in-Residence of the Thai ElectroAcoustic Music Society (TEAMS), a Thai-based student-run nonprofit organization established in 2025. He also serves as the Artistic Director and Curator for TEAMS's inaugural festival, TagTEAMS 2026.
Nattakon Lertwattanaruk (b. 2006) is a composer and performer originally from Bangkok, Thailand. Stemming from his interests in archeology and pseudo-anthropology, his works often engage with different ways of surfacing, abstracting, and re-remembering artifacts from his own experiences with popular and/or musical culture. Nattakon also engages with musical instruments as a site of physical exploration and extension, and the integration of multimedia in dialogue with the concert setting.
He is a recipient of the Distinguished Prizes (2022 and 2024) at the Young Thai Artist Award (SCG Foundation), and the Belle S. Gitelman Award (Eastman School of Music), and has collaborated with ensembles including Tacet(i), Orkest De Ereprijs, Klangforum Wien, the Thai Youth Orchestra, Kul-Gänte, OSSIA New Music, and Duo Dubois. His work has been presented at numerous international events, such as the Thailand New Music and Arts Symposium, Young Composers Meeting (The Netherlands), OutHEAR New Music Week (Greece), International Computer Music Conference (ICMC), SEAMUS Conference (USA), TagTEAMS (Thailand), IntAct Festival (Thailand), Thailand International Composition Festival, China-ASEAN Music Festival, among others.
Nattakon is currently pursuing a Bachelor of Music in Composition at the Eastman School of Music in Rochester, New York, where he studies under Dr. Evis Sammoutis. Formative mentors include Piyawat Louilarpprasert, Daniel Pesca, and Mikel Kuehn.
CRSRCRSRRR is an experimental project by Thanapat Ogaslert, an artist and educator based in Bangkok, Thailand. By directly interacting with real-time information, the live coding performances by CRSRRR always unfolds insights of our surroundings, ranging from electrical signals and numbers to our human senses.
CRSRCRSRRR is one of the core member of the Thai Live-coding community that aim to explore the art of algorithms through live computer programming. The results are works that exceed the limitation of physical bounds and often bring the audience to unheard heights of sonic and visual experience.
In 2024, CRSRCRSRRR was one of the TEDxSpeakers advocating the use of deep sensing, sonic memories, and sound and visual synthesis.
Currently, he is an adjunct lecturer at Mahidol University, as well as conducting community workshops around Thailand and nearby regions such as Indonesia, Hong Kong, and Singapore to name a few.
Jiradej Setabundhu studied music with Bruce Gaston and worked as a guitarist and composer with Fong Nam Ensemble. He later continued his study with Donald Crockett, M. William Karlins, Marta Ptaszynska, Amnon Wolman, Michael Pisaro, and Stephen Syverud. His compositions include works for acoustic, electronic, and interactive multimedia that investigate the challenging relationship between human and technology.
For the past three decades Scott Wilson’s music and sound art has explored the intersection of a variety of different and sometimes contradictory practices. Combining aspects of instrumental/vocal composition, field recording, immersive multichannel electroacoustic sound and visuals, cross-cultural collaboration, live coding and improvisation in works that are each a bespoke solution to a unique artistic problem, his output holds few firm allegiances to schools, styles or genres, and regularly transgresses the boundaries of the ‘acceptable’ to be found in even the most supposedly experimental fields of artistic practice. A particular interest in collaboration has led to a rich range of output, including cross-cultural and interdisciplinary works. These and other pieces including hyperreal soundscapes using sound from the natural world, a collaborative musical palimpsest on classic Qawwali recordings, and music created by sonifying the particle collisions of CERN’s Large Hadron Collider have been presented around the world. Also active as an educator and mentor for young artists, he is the co-director of Birmingham ElectroAcoustic Sound Theatre (BEAST) and teaches at the University of Birmingham in the U.K.
Msyves is a multidisciplinary artist specializing in 3D art, visual design and creative direction. Her art explores self-love, self-acceptance and the strength of the feminine spirit.
She aims to challenge and redefine conventional societal norms she has been struggling with by creating work that celebrates the raw beauty of human form and showing the possibility of where our mind can take us once we embrace our vulnerability and our authentic self.